
The juxtaposition, though not entirely unexpected, caused me to gasp slightly, experiencing the rush of emotions that good -- and well-curated -- art can provoke. Wrenching moments are not in short supply in "Scenes from Tsarist Russia," one of the current shows at Istanbul's excellent Pera Museum. A bride sobs, covering her face in her hands, on her wedding day to a much older man. Families escape with a few scant belongings from a village fire. A dying woman sits in a garden, staring off into the distance. Other paintings draw a smile: women celebrating a rural "hen night," a boy being distracted from his studies by the sight of a girl in the window across the way.

The show, though small, artfully juxtaposes examples of Frida's famous self-portraits with photographs, including some gorgeous shots by one of her lovers, that shed some light on how the way she perceived -- or wanted to portray -- herself both matched and differed from reality. Perhaps most moving is a sketch Frida made after a miscarriage, showing the lost child outside her body but still tethered to it, tears streaming from her womb.
TO VISIT: Both exhibits are on view until March 20 at the Pera Museum in Istanbul's Beyoğlu district. The museum is open Tuesday through Saturday from 10 a.m. to 7 p.m. and Sunday from noon to 6 p.m. For the duration of these two shows, it will also stay open until 8:30 p.m. on Fridays. General admission is 10 Turkish Liras.
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